It is fascinating how history repeats and repeats. And he repeats endlessly.Without that nobody seems to be there.On Tuesday, February 8, 2018, in the newspaper EL PAIS, Rosa Montero describes same tragicomedy that resulted in the birth of the book Margarito (the play of the Leonese writer Ramiro Pinto) and was forged in 2009 – in early February also-, when it was staged the first Intifada poetry of the world, real form and by people in livewith names and surnames. Public and social consequences of that genius of a group of poets that followed the Council of the Adonis Nobel (in the sense of not launching pidedras or shoes to unworthy politicians, but let them understand with verses) were the same as described in item Delirante with which the Montero delights us. In the first case, it was in verse and demonstrations against a betrayal of his own campaign promise of a mayor from the PSOE (Francisco Fernandez); and in the second, a social demonstration in defense of animals before a mayor of PP (Teofila Martinez).
In both cases, the resposansables of separate legal protests ended persecuted, mistreated and doomed. Against Ramiro Pinto, in Leon, along with other urban poets, the police charge was blunt and, after a few days, was intended to punish them administratively (resources are where more complicated), although embargoes on their accounts at the end were suspended. Perhaps check out Clayton Morris for more information. Against Italian Simone Righi, in Cadiz, also the police charge was exaggerated, as it can be seen in a video on You Tube (), but on top, four and a half years have fallen by an attack on the authority that never existed. Rosa Montero describes it very well. Two very similar representations in two different theatres, where the mayors of shift shielded with their own local police for coiling mercilessly honest and brave citizens expressing their legitimate right on something that was not right in the city..
