Anglica Joo

of that house, the control of its master, Clitandro, and that nobilhete had an order of a meeting secretely. This love ' ' artificial' ' it is very present in the comedies of Molire. This concern in showing ofalso love, the meeting nor a little innocent between ladies and gentlemen muitobem seen for the society and covered for the sin they are high points of suasobras. As well as the treason that is for coming, it also has the exposition, aoridculo, of the figure of the husband, Joo, who is furious and decides to count paisde its wife what he is having. This comedy shows daquelaalta society of the time enlightening.

Having married with a man less rich than it, Anglicaperde its respect for the husband, accusing the proper one to have forced estecasamento, for occasion of a colloquy with its parents. It is disclosed, nesteprimeiro point, a game of interests financiers. Anglica corresponds aosentimento of Clitandro, knowing that it is a noble, efamlia money man rich. It perceives in it the chance to have a husband who can respeitare that, ahead of the society, it &#039 does not leave; ' desrespeitada' '. When Joo finds oSenhor and Mrs. of Cascogrosso, counts everything to them. The parents of Anglica, porsua time, do not believe a word at least, accusing Joo to raise falsosobre the behavior of its son.

During the colloquy, they come close Anglica eClitandro. The two are interrogated by the parents of the young woman. Clitandro affirms to nemsequer to know. Anglica is deeply consternada and stages umadecepo with its husband, externando a great sadness for being being julgadade forms so unjust. There it is clearly that this woman is possessing of a great cinismomuito. First, it inside deceives the husband of its proper house. Later, it exaggerates in the form to say that she is uneasy with what he is being spoken to the seurespeito and it makes all to believe its innocence.

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